很久沒看過這么有味道的電影了，男女主角都刻畫得很飽滿，雖然他們最后沒能在一起，但過程真的很美好…

Sinners who art on earth, behold the masterpiece of horror! I can’t resist to make a philosophical reading of the film, helped on by Foucault. If the most evident level of dread stems from the possession of a sweet young girl by an ancient demon, another less obvious layer is much more significant. The movie starts by showing the child as bright, blooming, active - at most shaken up by her parents' recent divorce. As the doctors get more and more hold of her, kicking off with medication then moving forward with invasive, shocking tests & treatments, she gradually loses her self. As such, it's the cold, instrumental, dehumanizing gaze of the medical institution that is the most terrifying.

接近史實(shí)，戚夫人的丫鬟是紅海中的女機(jī)槍手。

又是一次旅程。奧德修斯離開伊薩卡，去尋找阿伽門農(nóng)兄弟丟失的海倫，所過之處盡是戰(zhàn)爭(zhēng)與廢墟。他到達(dá)特洛伊，找到了海倫，卻給普里阿摩斯一家?guī)チ藲?。他終究沒有帶回海倫，那只是另一個(gè)先于他的奧德修斯，等待著歸鄉(xiāng)的時(shí)刻。(看了二十分鐘認(rèn)出男主竟然是《年輕氣盛》里的導(dǎo)演)

看了之后能多了解些那段歷史，抗戰(zhàn)勝利離不開熱血男兒的付出